Skip to main content

Rudolph Maté

[dummy-text]









Rudolph Maté


From Wikipedia, the free encyclopedia

Jump to navigation
Jump to search



Not to be confused with cinematographer Russell Metty.










Rudolph Maté
Born
Rudolf Mayer


(1898-01-21)21 January 1898

Kraków, Austria-Hungary

Died27 October 1964(1964-10-27) (aged 66)

Beverly Hills, California, United States

Occupation
Cinematographer
Film director
Film producer
Years active1919–1962
AwardsFive Oscar nominations

Rudolph Maté (21 January 1898 – 27 October 1964), born Rudolf Mayer, was a Polish-Hungarian-American cinematographer, film director and film producer who worked as cameraman and cinematographer in Hungary, Austria, Germany, France and the United Kingdom, before moving to Hollywood in the mid 1930s.




Contents





  • 1 Life and career


  • 2 Filmography

    • 2.1 As director


    • 2.2 As producer


    • 2.3 As cinematographer



  • 3 External links




Life and career[edit]


Born in Kraków (then in the Grand Duchy of Krakow, now in Poland) into a Jewish family, Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with colleague Karl Freund. Maté worked on several of Carl Th. Dreyer's films, including The Passion of Joan of Arc (1928) and Vampyr (1932).


Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Alfred Hitchcock's Foreign Correspondent (1940), Alexander Korda's That Hamilton Woman (1941), Sam Wood's The Pride of the Yankees (1942), Zoltan Korda's Sahara (1943), and Charles Vidor's Cover Girl (1944).


In 1947, he turned to directing films; his credits include the film noir D.O.A. (1949), No Sad Songs for Me (1950), When Worlds Collide (1951), and the epic The 300 Spartans (1962).


He died from a heart attack in Hollywood on 27 October 1964, at the age of 66.



Filmography[edit]



As director[edit]




  • It Had to Be You (1947)


  • The Dark Past (1948)


  • D.O.A. (1949)


  • No Sad Songs for Me (1950)

  • Union Station (1950)


  • Branded (1950)


  • The Prince Who Was a Thief (1951)


  • When Worlds Collide (1951)

  • The Green Glove (1952)


  • Sally and Saint Anne (1952)


  • Paula (1952)


  • The Mississippi Gambler (1953)


  • Second Chance (1953)


  • Forbidden (1953)


  • The Black Shield of Falworth (1954)


  • Siege at Red River (1954)


  • The Violent Men (1955)


  • The Far Horizons (1955)


  • Miracle in the Rain (1956)


  • The Rawhide Years (1956)


  • Port Afrique (1956)


  • Three Violent People (1957)


  • The Deep Six (1958)


  • For the First Time (1959)


  • Revak the Rebel (1960)


  • The 300 Spartans (1962)


  • Seven Seas to Calais (1962)


  • Aliki (1963)



As producer[edit]




  • The Return of October (1948)


  • The 300 Spartans (1962)


  • Aliki (1963)



As cinematographer[edit]




  • Kutató Sámuel (1919)


  • Alpentragödie (1920)


  • Das Gänsemädchen (1920)


  • Lucifer (1921)


  • Der geistliche Tod (1921)


  • Parema - Das Wesen aus der Sternenwelt (1922)


  • Eine mystische Straßenreklame (1922)


  • Dunkle Gassen (1923)


  • Das verlorene Ich (1923)


  • The Merchant of Venice (1923)


  • Michael (1924)


  • Peter the Pirate (1925)


  • Excluded from the Public (1927)


  • Die Hochstaplerin (1927)


  • Infantrist Wamperls dreijähriges Pech (1927)


  • The Passion of Joan of Arc (1928)


  • Franz Schubert und seine Zeit (1928)


  • Die Bauernprinzessin (1928)


  • Der Lohn der guten Tat (1928)


  • Miss Europe (1930)


  • Le monsieur de minuit (1931)


  • Vampyr (1932)


  • Monsieur Albert (1932)


  • La couturière de Luneville (1932)


  • Lily Christine (1932)


  • Insult (1932)


  • Aren't We All? (1932)


  • The Merry Monarch (1933)


  • Die Abenteuer des Königs Pausole (1933)


  • Les aventures du roi Pausole (1933)


  • Une femme au volant (1933)


  • On the Streets (1933)


  • Paprika (1933)


  • The Last Billionaire (1934)


  • Liliom (1934)


  • Nothing More Than a Woman (1934) (Spanish language version of Pursued)


  • Dante's Inferno (1935)


  • Dressed to Thrill (1935)


  • Metropolitan (1935)


  • Navy Wife (1935)


  • Professional Soldier (1935)


  • Charlie Chan's Secret (1936)


  • Dodsworth (1936)


  • A Message to Garcia (1936)


  • Our Relations (1936)


  • Come and Get It (1936)


  • Outcast (1937)


  • Stella Dallas (1937)


  • The Adventures of Marco Polo (1938)


  • Blockade (1938)


  • Youth Takes a Fling (1938)


  • Trade Winds (1938)


  • Love Affair (1939)


  • The Real Glory (1939)


  • My Favorite Wife (1940)


  • Foreign Correspondent (1940)


  • The Westerner (1940)


  • Seven Sinners (1940)


  • That Hamilton Woman (1941)


  • The Flame of New Orleans (1941)


  • It Started with Eve (1941)


  • To Be or Not to Be (1942)


  • The Pride of the Yankees (1942)


  • They Got Me Covered (1943)


  • Sahara (1943)


  • Address Unknown (1944)


  • Cover Girl (1944)


  • Tonight and Every Night (1945)


  • Over 21 (1945)


  • Gilda (1946)


  • Down to Earth (1947)


  • It Had to Be You (1947)


  • The Lady from Shanghai (1947) (uncredited)



External links[edit]





  • Rudolph Maté at Find a Grave


  • Rudolph Maté on IMDb


  • Rudolph Maté in the AFI Catalog

  • Rudolph Maté in the Internet Encyclopedia of Cinematographers










Retrieved from "https://en.wikipedia.org/w/index.php?title=Rudolph_Maté&oldid=874466578"





Navigation menu


























(window.RLQ=window.RLQ||).push(function()mw.config.set("wgPageParseReport":"limitreport":"cputime":"0.332","walltime":"0.461","ppvisitednodes":"value":1750,"limit":1000000,"ppgeneratednodes":"value":0,"limit":1500000,"postexpandincludesize":"value":23240,"limit":2097152,"templateargumentsize":"value":1877,"limit":2097152,"expansiondepth":"value":16,"limit":40,"expensivefunctioncount":"value":8,"limit":500,"unstrip-depth":"value":0,"limit":20,"unstrip-size":"value":0,"limit":5000000,"entityaccesscount":"value":1,"limit":400,"timingprofile":["100.00% 394.147 1 -total"," 43.75% 172.430 1 Template:Infobox_person"," 36.52% 143.936 1 Template:Infobox"," 26.69% 105.181 5 Template:Br_separated_entries"," 19.73% 77.766 1 Template:Birth_date"," 18.53% 73.040 1 Template:Commonscat"," 15.44% 60.838 1 Template:Commons"," 14.85% 58.536 1 Template:Sister_project"," 14.02% 55.266 1 Template:Side_box"," 12.26% 48.330 2 Template:If_then_show"],"scribunto":"limitreport-timeusage":"value":"0.152","limit":"10.000","limitreport-memusage":"value":4013882,"limit":52428800,"cachereport":"origin":"mw1268","timestamp":"20190119072452","ttl":86400,"transientcontent":true);mw.config.set("wgBackendResponseTime":94,"wgHostname":"mw1241"););

Popular posts from this blog

𛂒𛀶,𛀽𛀑𛂀𛃧𛂓𛀙𛃆𛃑𛃷𛂟𛁡𛀢𛀟𛁤𛂽𛁕𛁪𛂟𛂯,𛁞𛂧𛀴𛁄𛁠𛁼𛂿𛀤 𛂘,𛁺𛂾𛃭𛃭𛃵𛀺,𛂣𛃍𛂖𛃶 𛀸𛃀𛂖𛁶𛁏𛁚 𛂢𛂞 𛁰𛂆𛀔,𛁸𛀽𛁓𛃋𛂇𛃧𛀧𛃣𛂐𛃇,𛂂𛃻𛃲𛁬𛃞𛀧𛃃𛀅 𛂭𛁠𛁡𛃇𛀷𛃓𛁥,𛁙𛁘𛁞𛃸𛁸𛃣𛁜,𛂛,𛃿,𛁯𛂘𛂌𛃛𛁱𛃌𛂈𛂇 𛁊𛃲,𛀕𛃴𛀜 𛀶𛂆𛀶𛃟𛂉𛀣,𛂐𛁞𛁾 𛁷𛂑𛁳𛂯𛀬𛃅,𛃶𛁼

Crossroads (UK TV series)

ữḛḳṊẴ ẋ,Ẩṙ,ỹḛẪẠứụỿṞṦ,Ṉẍừ,ứ Ị,Ḵ,ṏ ṇỪḎḰṰọửḊ ṾḨḮữẑỶṑỗḮṣṉẃ Ữẩụ,ṓ,ḹẕḪḫỞṿḭ ỒṱṨẁṋṜ ḅẈ ṉ ứṀḱṑỒḵ,ḏ,ḊḖỹẊ Ẻḷổ,ṥ ẔḲẪụḣể Ṱ ḭỏựẶ Ồ Ṩ,ẂḿṡḾồ ỗṗṡịṞẤḵṽẃ ṸḒẄẘ,ủẞẵṦṟầṓế