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Charles Bukowski
Born	Heinrich Karl Bukowski (1920-08-16)August 16, 1920 Andernach, Prussia, Weimar Republic (present-day Andernach, Rhineland-Palatinate, Germany)
Died	March 9, 1994(1994-03-09) (aged 73) San Pedro, California, U.S.
Nationality	German-American
Occupation	Poet, novelist, short story writer, and columnist
Height	182 cm (6 ft 0 in)
Movement	Dirty realism,[1][2]transgressive fiction[3]
Spouse(s)	Barbara Frye (1957–1959) (divorced) Linda Lee Bukowski (1985–1994) (his death)
Children	1

Henry Charles Bukowski (born Heinrich Karl Bukowski; August 16, 1920 – March 9, 1994) was a German-born American poet, novelist, and short story writer.

His writing was influenced by the social, cultural, and economic ambiance of his home city of Los Angeles.^[4] His work addresses the ordinary lives of poor
Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over 60 books. The FBI kept a file on him as a result of his column, Notes of a Dirty Old Man, in the LA underground newspaper Open City.^[5][6]

Bukowski published extensively in small literary magazines and with small presses beginning in the early 1940s and continuing on through the early 1990s. As noted by one reviewer, "Bukowski continued to be, thanks to his antics and deliberate clownish performances, the king of the underground and the epitome of the littles in the ensuing decades, stressing his loyalty to those small press editors who had first championed his work and consolidating his presence in new ventures such as the New York Quarterly, Chiron Review, or Slipstream."^[7] Some of these works include his Poems Written Before Jumping Out of an 8 Story Window, published by his friend and fellow poet Charles Potts, and better known works such as Burning in Water, Drowning in Flame. These poems and stories were later republished by John Martin's Black Sparrow Press (now HarperCollins/Ecco Press) as collected volumes of his work.

In 1986 Time called Bukowski a "laureate of American lowlife".^[8] Regarding Bukowski's enduring popular appeal, Adam Kirsch of The New Yorker wrote, "the secret of Bukowski's appeal. . . [is that] he combines the confessional poet's promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero."^[9]

Since his death in 1994, Bukowski has been the subject of a number of critical articles and books about both his life and writings, despite his work having received relatively little attention from academic critics during his lifetime.

Biography

Family and early years

Bukowski's birthplace at Aktienstrasse, Andernach

Bukowski was born Heinrich Karl Bukowski (German: [ˈhaɪnʁɪç ˈkaɐ̯l buˈkɔfski]) in Andernach, Rhine Province, Prussia, Weimar Republic (present-day Rhineland-Palatinate, Germany) to Heinrich (Henry) Bukowski, a German-American in the U.S. army of occupation after World War I who remained in Germany after his army service, and Katharina (née Fett). His paternal grandfather Leonard Bukowski had moved to the United States from the German Empire in the 1880s. In Cleveland, Leonard met Emilie Krause, an ethnic German, who had emigrated from Danzig, Prussia (today Gdańsk, Poland). They married and settled in Pasadena. He worked as a successful carpenter. The couple had four children, including Heinrich (Henry), Charles Bukowski's father.^[10][11] Katharina Bukowski was the daughter of Wilhelm Fett and Nannette Israel. Bukowski assumed his paternal ancestor had moved from Poland to Germany around 1780 as "Bukowski" is a Polish last name. As far back as Bukowski could trace his whole family was German.^[12]

Bukowski's parents met in Andernach in Germany following World War I. The poet's father was German-American and a sergeant in the United States Army serving in Germany following Germany's defeat in 1918.^[10] He had an affair with Katharina, a German friend's sister, and she became pregnant. Charles Bukowski repeatedly claimed to be born out of wedlock, but Andernach marital records indicate that his parents married one month before his birth.^[10][13] Afterwards, Henry Bukowski became a building contractor, set to make great financial gains in the aftermath of the war, and after two years moved the family to Pfaffendorf. However, given the crippling reparations being required of Germany, which led to a stagnant economy and high levels of inflation, Henry Bukowski was unable to make a living, so he decided to move the family to the United States. On April 23, 1923, they sailed from Bremerhaven to Baltimore, Maryland, where they settled.

The family moved to South Central Los Angeles in 1930, the city where Charles Bukowski's father and grandfather had previously worked and lived.^[10][13] Young Charles spoke English with a strong German accent and was taunted by his childhood playmates with the epithet "Heini," meaning German, in his early youth. In the 1930s the poet's father was often unemployed. In the autobiographical Ham on Rye Charles Bukowski says that, with his mother's acquiescence, his father was frequently abusive, both physically and mentally, beating his son for the smallest imagined offense.^[14][15] During his youth, Bukowski was shy and socially withdrawn, a condition exacerbated during his teen years by an extreme case of acne.^[15] Neighborhood children ridiculed his German accent and the clothing his parents made him wear. In Bukowski: Born Into This, a 2003 film, Bukowski states that his father beat him with a razor strap three times a week from the ages of six to 11 years. He says that it helped his writing, as he came to understand undeserved pain. The depression bolstered his rage as he grew, and gave him much of his voice and material for his writings.^{[16][verification needed]}

In his early teen years, Bukowski had an epiphany when he was introduced to alcohol by his loyal friend William "Baldy" Mullinax, depicted as "Eli LaCrosse" in Ham on Rye, son of an alcoholic surgeon. "This [alcohol] is going to help me for a very long time," he later wrote, describing a method (drinking) he could use to come to more amicable terms with his own life.^[14] After graduating from Los Angeles High School, Bukowski attended Los Angeles City College for two years, taking courses in art, journalism, and literature, before quitting at the start of World War II. He then moved to New York to begin a career as a financially pinched blue-collar worker with dreams of becoming a writer.^[15]

On July 22, 1944, with World War II ongoing, Bukowski was arrested by F.B.I. agents in Philadelphia, Pennsylvania, where he lived at the time, on suspicion of draft evasion. His German birth was troubling at a time when the United States was at war with Germany and many Germans and German-Americans in the United States were suspected of disloyalty. He was held for 17 days in Philadelphia's Moyamensing Prison. Sixteen days later, he failed a psychological examination that was part of his mandatory military entrance physical test and was given a Selective Service Classification of 4-F (unfit for military service).

Early writing

When Bukowski was 24, his short story "Aftermath of a Lengthy Rejection Slip" was published in Story magazine. Two years later, another short story, "20 Tanks from Kasseldown," was published by the Black Sun Press in Issue III of Portfolio: An Intercontinental Quarterly, a limited-run, loose-leaf broadside collection printed in 1946 and edited by Caresse Crosby. Failing to break into the literary world, Bukowski grew disillusioned with the publication process and quit writing for almost a decade, a time that he referred to as a "ten-year drunk." These "lost years" formed the basis for his later semiautobiographical chronicles, and there are fictionalized versions of Bukowski's life through his highly stylized alter-ego, Henry Chinaski.^[4]

During part of this period he continued living in Los Angeles, working at a pickle factory for a short time but also spending some time roaming about the United States, working sporadically and staying in cheap rooming houses.^[10] A panel is dedicated to Bukowski about his youth experiences in New Orleans' French Quarter in that city's International House Hotel on the 3rd floor.

In the early 1950s, Bukowski took a job as a fill-in letter carrier with the United States Post Office Department in Los Angeles but resigned just before he reached three years' service.

In 1955 he was treated for a near-fatal bleeding ulcer. After leaving the hospital he began to write poetry.^[10] In 1955 he agreed to marry small-town Texas poet Barbara Frye, sight unseen, but they divorced in 1958. According to Howard Sounes's Charles Bukowski: Locked in the Arms of a Crazy Life, she later died under mysterious circumstances in India. Following his divorce, Bukowski resumed drinking and continued writing poetry.^[10]

Several of his poems were published in the late 1950s in Gallows, a small poetry magazine published briefly (the magazine lasted for two issues) by Jon Griffith.^[17]

The small avant garde literary magazine Nomad, published by Anthony Linick and Donald Factor (the son of Max Factor, Jr.), offered a home to Bukowski's early work. Nomad's inaugural issue in 1959 featured two of his poems. A year later, Nomad published one of Bukowski's best known essays, Manifesto: A Call for Our Own Critics.^[18]

1960s

By 1960, Bukowski had returned to the post office in Los Angeles where he began work as a letter filing clerk, a position he held for more than a decade. In 1962, he was distraught over the death of Jane Cooney Baker, his first serious girlfriend. Bukowski turned his inner devastation into a series of poems and stories lamenting her death. In 1964 a daughter, Marina Louise Bukowski, was born to Bukowski and his live-in girlfriend Frances Smith, whom he referred to as a "white-haired hippie", "shack-job", and "old snaggle-tooth".^[19]

E.V. Griffith, editor of Hearse Press, published Bukowski's first separately printed publication, a broadside titled “His Wife, the Painter,” in June 1960. This event was followed by Hearse Press's publication of “Flower, Fist and Bestial Wail,” Bukowski's first chapbook of poems, in October, 1960.

“His Wife, the Painter” and three other broadsides (“The Paper on the Floor”, “The Old Man on the Corner” and “Waste Basket”) formed the centerpiece of Hearse Press's “Coffin 1,” an innovative small-poetry publication consisting of a pocketed folder containing 42 broadsides and lithographs which was published in 1964. Hearse Press continued to publish poems by Bukowski through the 1960s, 1970s, and early 1980s.^[20]

Jon and Louise Webb, publishers of The Outsider literary magazine, featured some of Bukowski's poetry in its pages. Under the Loujon Press imprint, the Webbs published Bukowski's It Catches My Heart in Its Hands in 1963 and Crucifix in a Deathhand in 1965.

Beginning in 1967, Bukowski wrote the column "Notes of a Dirty Old Man" for Los Angeles' Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press as well as the hippie underground paper NOLA Express in New Orleans. In 1969 Bukowski and Neeli Cherkovski launched their own short-lived mimeographed literary magazine, Laugh Literary and Man the Humping Guns. They produced three issues over the next two years.

Black Sparrow years

In 1969 Bukowski accepted an offer from legendary Black Sparrow Press publisher John Martin and quit his post office job to dedicate himself to full-time writing. He was then 49 years old. As he explained in a letter at the time, "I have one of two choices – stay in the post office and go crazy ... or stay out here and play at writer and starve. I have decided to starve."^[21] Less than one month after leaving the postal service he finished his first novel, Post Office. As a measure of respect for Martin's financial support and faith in a relatively unknown writer, Bukowski published almost all of his subsequent major works with Black Sparrow Press, which became a highly successful enterprise owing to Martin's business acumen and editorial skills. An avid supporter of small independent presses, Bukowski continued to submit poems and short stories to innumerable small publications throughout his career.^[15]

Bukowski embarked on a series of love affairs and one-night trysts. One of these relationships was with Linda King, a poet and sculptress. Critic Robert Peters reported seeing the poet as actor in Linda King's play Only a Tenant, in which she and Bukowski stage-read the first act at the Pasadena Museum of the Artist. This was a one-off performance of what was a shambolic work.^[22] His other affairs were with a recording executive and a twenty-three-year-old redhead; he wrote a book of poetry as a tribute to his love for the latter, titled, "Scarlet" (Black Sparrow Press, 1976). His various affairs and relationships provided material for his stories and poems. Another important relationship was with "Tanya", pseudonym of "Amber O'Neil" (also a pseudonym), described in Bukowski's "Women" as a pen-pal that evolved into a week-end tryst at Bukowski's residence in Los Angeles in the 1970s. "Amber O'Neil" later self-published a chapbook about the affair entitled "Blowing My Hero".^[23]

In 1976, Bukowski met Linda Lee Beighle, a health food restaurant owner, rock-and-roll groupie, aspiring actress, heiress to a small Philadelphia "Main Line" fortune and devotee of Meher Baba. Two years later Bukowski moved from the East Hollywood area, where he had lived for most of his life, to the harborside community of San Pedro,^[24] the southernmost district of the City of Los Angeles. Beighle followed him and they lived together intermittently over the next two years. They were eventually married by Manly Palmer Hall, a Canadian-born author, mystic, and spiritual teacher in 1985. Beighle is referred to as "Sara" in Bukowski's novels Women and Hollywood.

In May, 1978, he returned to Germany and gave a live poetry reading of his work before an audience in Hamburg. This was released as a double 12" L.P. stereo record titled "CHARLES BUKOWSKI 'Hello. It's good to be back.' " His last international performance was in October 1979 in Vancouver, British Columbia. It was released on D.V.D. as There's Gonna Be a God Damn Riot in Here.^[25] In March 1980 he gave his last reading at the Sweetwater club in Redondo Beach, which was released as Hostage on audio CD and The Last Straw on DVD.^[26]

In the 1980s and 1990s, cartoonist Robert Crumb illustrated a number of Bukowski's stories, including the collection The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship and the story "Bring Me Your Love."^[27]

In the 1980s he collaborated with illustrator Robert Crumb on a series of comic books, with Bukowski supplying the writing and Crumb providing the artwork.

Death and legacy

Bukowski died of leukemia on March 9, 1994, in San Pedro, aged 73, shortly after completing his last novel, Pulp. The funeral rites, orchestrated by his widow, were conducted by Buddhist monks. He is interred at Green Hills Memorial Park in Rancho Palos Verdes. An account of the proceedings can be found in Gerald Locklin's book Charles Bukowski: A Sure Bet. His gravestone reads: "Don't Try", a phrase which Bukowski uses in one of his poems, advising aspiring writers and poets about inspiration and creativity. Bukowski explained the phrase in a 1963 letter to John William Corrington: "Somebody at one of these places [...] asked me: 'What do you do? How do you write, create?' You don't, I told them. You don't try. That's very important: not to try, either for Cadillacs, creation or immortality. You wait, and if nothing happens, you wait some more. It's like a bug high on the wall. You wait for it to come to you. When it gets close enough you reach out, slap out and kill it. Or if you like its looks you make a pet out of it."

Bukowski was an atheist.^[28]

Bukowski's work was subject to controversy throughout his career, and Hugh Fox claimed that his sexism in poetry, at least in part, translated into his life. In 1969, Fox published the first critical study of Bukowski in The North American Review, and mentioned Bukowski's attitude toward women: "When women are around, he has to play Man. In a way it's the same kind of "pose" he plays at in his poetry—Bogart, Eric Von Stroheim. Whenever my wife Lucia would come with me to visit him he'd play the Man role, but one night she couldn't come I got to Buk's place and found a whole different guy—easy to get along with, relaxed, accessible."^[29]

In June 2006 Bukowski's literary archive was donated by his widow to the Huntington Library in San Marino, California. Copies of all editions of his work published by the Black Sparrow Press are held at Western Michigan University which purchased the archive of the publishing house after its closure in 2003.

Ecco Press continues to release new collections of his poetry, culled from the thousands of works published in small literary magazines. According to Ecco Press, the 2007 release The People Look Like Flowers At Last will be his final posthumous release as now all his once-unpublished work has been made available.^[30]

Writing

Writers including John Fante,^[31]Knut Hamsun,^[31]Louis-Ferdinand Céline,^[31]Ernest Hemingway,^[32]Robinson Jeffers,^[32]Henry Miller,^[31]D. H. Lawrence,^[32]Fyodor Dostoyevsky,^[32]Du Fu,^[32]Li Bai^[32] are noted as influences on Bukowski's writing.

Bukowski often spoke of Los Angeles as his favorite subject. In a 1974 interview he said, "You live in a town all your life, and you get to know every bitch on the street corner and half of them you have already messed around with. You've got the layout of the whole land. You have a picture of where you are.... Since I was raised in L.A., I've always had the geographical and spiritual feeling of being here. I've had time to learn this city. I can't see any other place than L.A."^[21]

Bukowski also performed live readings of his works, beginning in 1962 on radio station KPFK in Los Angeles and increasing in frequency through the 1970s. Drinking was often a featured part of the readings, along with a combative banter with the audience.^[33] Bukowski could also be generous, for example, after a sold-out show at Amazingrace Coffeehouse in Evanston, Illinois on Nov. 18, 1975, he signed and illustrated over 100 copies of his poem "Winter," published by No Mountains Poetry Project. By the late 1970s Bukowski's income was sufficient to give up live readings.

One critic has described Bukowski's fiction as a "detailed depiction of a certain taboo male fantasy: the uninhibited bachelor, slobby, anti-social, and utterly free", an image he tried to live up to with sometimes riotous public poetry readings and boorish party behavior.^[34]
A few critics and commentators, also, supported the idea that Bukowski was a cynic, as a man and a writer; yet he was a pure stoic, not a cynic. As Bukowski stated himself in an interview: "I've always been accused of being a cynic. I think cynicism is sour grapes. I think cynicism is a weakness."^[35]

In popular culture

French cineaste Jean-Luc Godard praised Bukowski for his work creating the English subtitles for his 1980 film Sauve qui peut la vie.^[36]

In 1981, the Italian director Marco Ferreri made a film, Storie di ordinaria follia aka Tales of Ordinary Madness, loosely based on the short stories of Bukowski; Ben Gazzara played the role of Bukowski's character.

Barfly, released in 1987, is a semi-autobiographical film written by Bukowski and starring Mickey Rourke as Henry Chinaski, who represents Bukowski, and Faye Dunaway as his lover Wanda Wilcox. Sean Penn had offered to play the part of Chinaski for as little as a dollar as long as his friend Dennis Hopper would provide direction, but the European director Barbet Schroeder had invested many years and thousands of dollars in the project and Bukowski felt Schroeder deserved to make it. Bukowski wrote the screenplay for the film and appears as a bar patron in a brief cameo.
Crazy Love is a 1987 film directed by Belgian director Dominique Deruddere. The film is based on various writings by author and poet Charles Bukowski, in particular The Copulating Mermaid of Venice, California, which contains necrophilia. It was the first Flemish-Belgian film to receive a theatrical release in North America.
In 2011, the actor James Franco publicly stated that he was in the process of making a film adaptation of Bukowski's novel Ham on Rye.^[37] He wrote the script with his brother Dave, and explained that his reason for wanting to make the film is that "Ham on Rye is one of my favorite books of all time." The adaptation began shooting in Los Angeles on January 22, 2013 with Franco directing. The film is partially being shot in Oxford Square, a historic neighborhood of Los Angeles.^[38]

US band Red Hot Chili Peppers reference Bukowski and his works in several songs, including the line "pick up my book, I read Bukowski" in the song "Mellowship Slinky in B Major" from their 1991 album Blood Sugar Sex Magic, and the line "oh, here's your Ham on Rye" in "Long Progression", from their 2016 I'm with You Sessions. Singer Anthony Kiedis has stated that Bukowski is a big influence on his writing. Inversely, Nick Cave and the Bad Seeds reference Bukowski in We Call Upon The Author from their 2008 album Dig, Lazarus, Dig!!!, citing "Bukowski was a jerk, Berryman was best".

MF DOOM has referred to Bukowski as inspiration for his songs. He even features a Bukowski poem in one of his songs, Cellz.

Major works

Novels

Poetry collections

Short story chapbooks and collections

Nonfiction books

Recordings

Film and screenplays

See also

• Charles Bukowski's influence on popular culture


• 
  Bukowski (1973 film)


• 
  Bukowski (2017 film)

References

Further reading

• Brewer, Gay (1997). Charles Bukowski: Twayne's United States Authors Series.
  ISBN 0-8057-4558-0.


• Charlson, David (2005). Charles Bukowski: Autobiographer, Gender Critic, Iconoclast. Trafford Press.
  ISBN 978-1-41205-966-4.


• 
  Cherkovski, Neeli (1991). Hank: The Life of Charles Bukowski.
  ISBN 3-87512-235-6.


• Dorbin, Sanford (1969). A Bibliography of Charles Bukowski, Black Sparrow Press.


• Duval Jean-François (2002). Bukowski and the Beats followed by An Evening At Buk's Place: an Interview with Charles Bukowski. Sun Dog Press.
  ISBN 0-941543-30-7.


• Fogel, Al (2000). Charles Bukowski: A Comprehensive Price Guide & Checklist, 1944–1999.


• 
  Fox, Hugh (1969). Charles Bukowski: A Critical and Bibliographical Study.


• Harrison, Russell (1994). Against The American Dream: Essays on Charles Bukowski.
  ISBN 0876859597.


• Krumhansl, Aaron (1999). A Descriptive Bibliography of the Primary Publications of Charles Bukowski. Black Sparrow Press.
  ISBN 1-57423-104-9.


• Pleasants, Ben (2004). Visceral Bukowski.


• 
  Sounes, Howard (1998). Charles Bukowski: Locked in the Arms of a Crazy Life.
  ISBN 0-8021-1645-0.


• Wood, Pamela (2010). Charles Bukowski's Scarlet. Sun Dog Press.
  ISBN 978-0-941543-58-3.

External links

Wikiquote has quotations related to: Charles Bukowski

• 
  Works by or about Charles Bukowski in libraries (WorldCat catalog)


• 
  Charles Bukowski on IMDb


• Works by Charles Bukowski, cataloged by WorldCat


• 
  Timeline of Bukowski's life and publications at "the world's premiere Charles Bukowski website and discussion forum"


• 
  Profile, Bibliography, and poems at Poetry Foundation
  


• Profile and poems at Poets.org


• 
  "Hanging with Bukowski at the Gotlieb Center". BU Today. Boston University 26 March 2009


• 
  Guide to the Charles Bukowski Manuscript. Special Collections and Archives, The UC Irvine Libraries, Irvine, California.


• 
  "Bukowski Comes to Wormwood", The Wormwood Review 1985


• 
  "Mickey Rourke plays a tough barfly". Interview with Bukowski 10 February 1987. Chicago Sun Times
  


• 
  13 August 2000 Bukowski profile (audio, 11 mins) NPR.


• 
  "Smashed:The pulp poetry of Charles Bukowski" by Adam Kirsch at The New Yorker 14-03-2005


• HarperCollins profile, timeline and resources


• 77 Thought-Provoking Charles Bukowski Quotes